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Vapor Treatment: Giving Damaged Paintings a New Life
David Yanez, one of Lowy's painting conservators, is an expert
in the difficult but highly effective procedure called Vapor Treatment.
We talked with David about the techniques and benefits of this procedure:
Question: What is Vapor Treatment?
Yanez: Vapor Treatment is a procedure that uses small amounts
of moisture, heat, pressure and solvents to relax surface distortions
that occur on oil paintings.
Question: What types of problems can be helped?
Yanez: Most surface distortions, such as cupping (where cracked
layers of paint curl up), dents, buckling and protrusions can be
improved by the treatment.
Question: How does it work?
Yanez: A loosely woven, porous material is sprayed lightly
with a water-based solution. It is then placed against the verso
of the canvas and laid on a heat/vacuum table set to a low temperature.
Next a large sheet of mylar is put over the entire canvas and sealed
completely to the table. Suction cups attached to a vacuum pump
are placed over tiny pinpricks made in the mylar, causing the vacuum
to literally suck away the vapor that emanates from the moist material.
Because of this process, moisture is directed through the canvas,
gesso and the paint layers, but no humidity remains on the surface
or in the paint layer. Mild pressure created by the vacuum pump
holds the various layers together so they cannot separate during
the treatment.
This slowly administered minute amount of moisture, combined with
gentle heat and mild pressure helps the paint relax into its original
position in the least disruptive way possible. Think of it as a
process that coaxes the paint back into place.
Question: Are other procedures needed?
Yanez: Generally, the next step is to consolidate or line
the painting (as necessary) so the paint layer has a stable support.
Question: Why not just line the painting?
Yanez: In order to line a work with pronounced surface distortions
like cupping, the painting must be put under high levels of pressure.
This can further fracture the paint layer, and especially with newer
paintings, flatten the impasto.
Another problem with lining damaged works without first performing
a Vapor Treatment is weave interference. Some canvases have a weave
that is so pronounced it literally imprints itself on the paint
surface when heavy pressure is applied. Vapor Treatments make it
possible to line a painting under mild pressure, eliminating this
problem.
Question: Can Vapor Treatments be used as an alternative
to lining?
Yanez: No, Vapor Treatments are used to relax the ground
and paint layers back to their original form, not reattach them
to their support. Infusions can be performed in conjunction with
Vapor Treatment. While infusions do help consolidate and reattach
ground and paint layers to their supports, results will not last
as long in severe cases without a new lining. Cupping, tears and
stretcher marks have a memory of their own and will eventually revert
back if they have not been permanently stabilized.
Question: Are all paintings candidates for Vapor Treatments?
Yanez: Definitely not. Some canvases will shrink, causing
even more damage to the paint layer. They may also be too sensitive
to heat or solvents, even though we use the absolute minimum of
each. Since this type of sensitivity can't be discerned with the
naked eye, the only way to know is to test each canvas before any
work is considered.
A successful Vapor Treatment means that the conservator has reversed
the distortions of the paint and ground layers; this is one step
in a series towards stabilizing deterioration and restoring damage
to the work with the least invasive methods. At Lowy, we believe
the job of the conservator is to preserve as much and add as little
as possible.
Question: Why don't all conservators use Vapor Treatments?
Yanez: Simply put, many don't know how, because it takes
years of training. Being able to test a canvas, knowing the appropriate
solution, temperature and pressure level - if any one of these is
wrong, a painting can be permanently damaged. In addition, some
conservators don't like to spend the extra time needed for an another
process, and still others don't have the necessary equipment. Administering
a successful Vapor Treatment is both a science and an art, and like
anything worth doing right, the technique takes time and patience
to master.
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